This edition has added almost one hundred new pages and has expanded and revised some of the existing chapters. I've enlarged the opening chapter on object writing with new (and, I think, more helpful) examples. Over the years, this exercise has proved to be a mainstay for many successful songwriters, including Grammy winners John Mayer and Gillian Welch. The additional mate- rial in this chapter incorporates some new and interesting ways to approach object writing, making it an even more useful way to brain- storm, open your senses, and discover unique ideas for your songs. The chapters on verse development add examples and new mate- rial, introducing the concept of "boxes," which students over the years have found helpful. I think you will, too. I've found an interesting and, I hope, helpful way of thinking about rhymes, treating them the way you treat chords in a song. It provides a clearer view of rhyme's function and will help you choose rhyme types for a reason. The chapters on point of view also have a new look and suggest some interesting ways to approach the process of finding the right per- spective for your song.