THE FIRST KING OF EGYPT IN A TALL GLASS CASE IN THE ENTRANCE HALL OF THE EGYPTIAN MU- seum in Cairo stands an ancient slab of fine-grained greenish-black stone, about two feet high and no more than an inch thick. Shaped like a shield, it is carved on both sides in low relief. The scenes, though still crisp, are difficult to make out in the diffuse, hazy light that filters down through the dusty glazed dome in the museum ceiling. Most vis- itors barely give this strange object a second glance as they head straight for the golden riches of Tutankhamun on the floor above. Yet this modest piece of stone is one of the most important documents to survive from ancient Egypt. Its place of honor at the entrance to the Egyptian Museum, the world's greatest treasure-house of pharaonic culture, underlines its significance. This stone is the object that marks the very beginning of ancient Egyptian history. The Narmer Palette, as it is known to Egyptologists, has become an icon of early Egypt, but the circumstances of its discovery are clouded with uncertainty. In the winter of A.D. 1897-1898, the British archaeol- ogists James Quibell and Frederick Green were in the far south of Egypt, excavating at the ancient site of Nekhen (modern Kom el- Ahmar), the "city of the falcon" (classical Hierakonpolis). The nine- teenth century was still the era of treasure seeking, and Quibell and Green, though more scientific in their approach than many of their contemporaries, were not immune from the pressure to discover fine objects to satisfy their sponsors back home. So, having chosen to exca- vate at Nekhen, a site eroded by countless centuries and largely devoid of major standing monuments, they decided to focus their attentions on the ruins of the local temple.