THE WILL ΤΟ POWER Nietzsche's notebooks, kept by him during his most produc- tive years, offer a fascinating glimpse into the workshop and mind of a great thinker, and compare favorably with the notebooks of Gide and Kafka, Camus and Wittgenstein. The Will to Power, compiled from the notebooks, is one of the most famous books of the past hundred years, but few have studied it. Here, at last, is the first critical edition in any language. Down through the Nazi period The Will to Power was often mistakenly considered to be Nietzsche's crowning sys- tematic labor; since World War II it has frequently been denigrated, just as fallaciously, as being not worth reading. In fact, it represents a stunning selection from Nietzsche's notebooks, in a topical arrangement that enables the reader to find what Nietzsche wrote on nihilism, art, morality, re- ligion, the theory of knowledge, and whatever else inter- ested him. But no previous edition-even in the original German-shows which notes Nietzsche utilized subse- quently in his works, and which sections are not paralleled in the finished books. Nor has any previous edition furnished a commentary or index.
Friedrich Wilhelm was born 15 October 1844 – 25 August 1900) was a German philosopher, cultural critic, composer, poet, philologist and a Latin and Greek scholar whose work has exerted a profound influence on Western philosophy and modern intellectual history. He began his career as a classical philologist before turning to philosophy. He became the youngest ever to hold the Chair of Classical Philology at the University of Basel in 1869 at the age of 24. Nietzsche resigned in 1879 due to health problems that plagued him most of his life and he completed much of his core writing in the following decade. In 1889 at age 44, he suffered a collapse and afterwards, a complete loss of his mental faculties. He lived his remaining years in the care of his mother until her death in 1897 and then with his sister Elisabeth Förster-Nietzsche. Nietzsche died in 1900. Nietzsche's body of work touched a wide range of topics, including art, philology, history, religion, tragedy, culture and science. His early inspiration was drawn from figures such as Arthur Schopenhauer, Richard Wagner and Johann Wolfgang von Goethe. His writing spans philosophical polemics, poetry, cultural criticism and fiction while displaying a fondness for aphorism and irony. Prominent elements of his philosophy include his radical critique of truth in favor of perspectivism; his genealogical critique of religion and Christian morality and his related theory of master–slave morality; his aesthetic affirmation of existence in response to the "death of God" and the profound crisis of nihilism; his notion of the Apollonian and Dionysian; and his characterization of the human subject as the expression of competing wills, collectively understood as the will to power. He also developed influential concepts such as the Übermensch and the doctrine of eternal return. In his later work, he became increasingly preoccupied with the creative powers of the individual to overcome social, cultural and moral contexts in pursuit of new values and aesthetic health. After his death, Elisabeth Förster-Nietzsche became the curator and editor of her brother's manuscripts. She reworked Nietzsche's unpublished writings to fit her own German nationalistideology while often contradicting or obfuscating Nietzsche's stated opinions, which were explicitly opposed to antisemitism and nationalism. Through her published editions, Nietzsche's work became associated with fascism and Nazism; 20th century scholars contested this interpretation of his work and corrected editions of his writings were soon made available. Nietzsche's thought enjoyed renewed popularity in the 1960s and his ideas have since had a profound impact on 20th and early-21st century thinkers across philosophy—especially in schools of continental philosophy such as existentialism, postmodernism and post-structuralism—as well as art, literature, psychology, politics and popular culture. He Died 25 August 1900 (Aged 55).